In the half century between 1862 and 1912, chess made huge advances in terms of the technical standard of play. The rise of professionalism and annual master tournaments and the growth of chess literature raised the bar in terms of opening knowledge, and positional ideas unknown to the experts of fifty years previously were available to a new generation of players through the example of Steinitz and Lasker and the teachings of Tarrasch.
The "growth of chess literature... in terms of opening knowledge" was apparent during the life of Alonzo Wheeler Jerome (1834 - 1904), and it is no surprise that it overlapped the development of the Jerome Gambit (1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.Bxf7+).
[The following review is limited mostly to English-language opening books. - Rick]
In 1874, the year that Jerome's analysis of his gambit was first published in the Dubuque Chess Journal, Synopsis of the Chess Openings by William Cook, Handbuch des Schachspiels (5th edition) by Von der Lasa, and Chess Openings (2nd edition) by Frederick William Longman, all appeared. None contained analysis of the Jerome Gambit.
In 1875, The Chess Openings, by Robert B. Wormald, was equally negligent, as was 1876's Synopsis of the Chess Openings (2nd edition).
Henry Bird's The Chess Openings Considered, Critically and Practically in 1878 also overlooked the American invention.
In 1879, the gambit started to get notice in books, as it was covered in Theory of the Chess Openings by George Hatfeild Dingley Gossip.
The third edition of Cook's Synopsis of the Chess Openings was published in 1882, and it contained analysis as well.
Curiously, at least for those with a modern sense of "intellectual property" and copyright law, in 1884 an American publisher, J.W. Miller, reprinted Cook's Synopsis (originally printed in London) and added an "American Supplement" to create Cook's Synopsis of Chess Openings A Tabular Analysis by William Cook, With American Inventions in the Openings and Fresh Analysis since 1882, by J. W. Miller. Both parts of the book contained Jerome Gambit analysis.
Quoted the New Orleans Times-Democrat in a review
...The "brilliant but unsound" (why, may we ask, is this antithesis so common that one would almost infer it to be necessary?) Jerome Gambit, invented by Mr. Jerome, of Paxton, Ill., about a decade ago, constitutes the next of the Americana, and concerning the analysis given by Mr. S. A. Charles we can only venture to say that it seems to combine much careful original work with variations compiled from such investigations as have been published upon this hazardous attack. The principal basis for most of these has been, we believe, Sorenson's article in the May, 1877, number of the Nordisk Skaktidende, and which as translated in Gossip's Theory, pp.37-39, furnishes the only two variations upon the opening given in the Synopsis proper (ccf. p.49, cols 11 and 12). We note, however, that Mr. Charles differs from this authority in some important particulars.
Miller was the publisher of the Cincinnati Journal Gazette, which had previously employed S.A. Charles to write their chess column, and who had been presenting opening analysis – something he continued to do for the Pittsburgh Telegraph, where his Jerome Gambit analysis appeared. (Skipping ahead, this explains Freeborough and Rankin's comment in their Chess Openings, Ancient and Modern, "Mr. S. A. Charles of Cincinnati, Ohio is named in the American Supplement as the chief analyst of this opening.")
In 1888, the 4th edition of Cook's Synopsis of the Chess Openings contained Jerome Gambit analysis, with a note of thanks to "Mr. Freeborough of Hull, and Rev. C.E. Ranken, of Malven, for material assistance in the compilation of the tables, original variations in the openings, and help in the examination of proof"; so it is not surprising that Freeborough and Rankin's 1889 Chess Openings Ancient and Modern also covered the gambit.
Although the Jerome Gambit would appear in further editions of Chess Openings Ancient and Modern – 2nd, 1893; 3rd, 1896; 4th, 1910 – the closing of the 1880s seems to mark its high water mark in inclusion in general opening books.
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