The Jerome Gambit Article (Part 1)

Ten years ago I wrote a substantial article on the Jerome Gambit (1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.Bxf7+) and submitted it to the German language chess magazine, Kaissiber.  The editor, Stefan Buecker, was supportive, and tried, over the years, to somehow make the submission work. His was a serious and well-respected magazine, however, and even a well-written (and revised) piece on a highly suspect chess opening could not find a place in its pages. 

Kaissiber ceased publication 8 years ago. If you have any interest, at all, in creative chess explorations or chess history - even if German is not your first language - you would do well to track down an issue. I guarantee you will not stop at one.

In the meantime, I thought it might be time to share my Jerome Gambit explorations. (I have occasionally sampled from it, but never shared the whole thing.) The article is a bit long, and will take up a number of blog posts, but, believe it or not, there is a lot of ground to cover.

Jerome Gambit theory has progressed since the article was written, but it is important to learn the opening's history.

The Jerome Gambit

Introduction

If you page through Raymond Keene’s The Complete Book of Gambits (1992) you will find a short entry for the Jerome Gambit: 1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.Bxf7+ Kxf7 5.Nxe5+ Nxe5 and a dour assessment “This is totally unsound and should never be tried!”

Keene’s warning notwithstanding, the Jerome Gambit has an interesting history.

History

The April 1874 edition of the Dubuque Chess Journal (also known as the American Chess Journal, or the Journal) contained a small article titled "New Chess Opening.” It began “We have received from A.W. Jerome of Paxton, Ford county, Illinois, some analyses of a new move in the Giuoco Piano, first played by him, which we offer our readers as: Jerome's Double Opening.”

            There followed a brief analysis:

1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.Bxf7+ This is the first move, if

now Black reply 4...Kxf7 he continues 5.Nxe5+ and we have the moves

that constitute Jerome's Double Opening.

Suppose in the first place 5...Nxe5 6.Qh5+ Ke6 7.Qf5+ Kd6 8.f4
Qf6 9.fxe5+ Qxe5 10.Qf3 Nf6 11.d3 compelling either K or Q to move

as White threatens Bf4; or Black can play ...g5. If 11...Ke7 12.Nc3 g5

13.Rf1 c6 14.g3 We have space only for a few of Black's best moves,

leaving our readers to test the opening over the board.

            If 5...Kf8 6.Nxc6 dxc6 (if 6...bxc6 White plays 7.d4 putting

Black's KB out of play) 7.0-0 Nf6 8.Qf3 Qd4 9.d3 Bg4 10.Qe3 Qxe3

11.Bxe3 Bxe3 12.fxe3 Ke7 and White should draw by the judicious use

of his pawns.

             The editor of the Dubuque Chess Journal, O. A. Brownson, found the Double Opening interesting enough, or amusing enough, to run further analyses (and a game) by Jerome in the July 1874 issue and in the January 1875 issue. In the March 1875 issue Brownson published two games he had played against A. W. Jerome, and in July 1875, he published one more game, all involving Jerome’s Gambit. (In all, White won 2, drew 1, lost 1.)

The Jerome Gambit was apparently well received by the average chess player. Some indication of this was reflected the “Our Portfolio” section of the Dubuque Chess Journal for May 1874, which contained a “Chess Challenge” which looked a lot like a chess duel

George J. Dougherty, of Mineola, Queen’s County, New York,

hereby respectfully invites John G. Belden, Esq., of Hartford, Conn.,

to play him two games of chess by Postal Card, at his convenience,

Mr. Belden taking the attack in one game and Mr. Dougherty in the other;

the object being to test the soundness of JEROME’S DOUBLE OPENING,

published in the April No. (50) of this CHESS JOURNAL.

            It is not likely that any of the Journal’s readers were aware that the player issuing the challenge was the first person against whom Jerome had played the Double Opening!

            As early as July 1874 it was clear that Alonzo Wheeler Jerome had no illusions about his gambit, as the Dubuque Chess Journal noted

It should be understood that Mr. Jerome claims in this New

Opening "only a pleasant variation of the Giuoco Piano, which may

win or lose according to the skill of the players, but which is capable

of affording many new positions and opportunities for heavy blows

unexpectedly."

            This modesty did not prevent Jerome from debating for months with William Hallock, who produced the American Chess Journal in the years following the demise of the Dubuque Chess Journal. While testing his invention in over-the-board and correspondence play, Jerome claimed

                        …that the opening has a “reasonable chance of winning,”

            which is sufficient to constitute a “sound opening.” It is not required

            that an Opening shall be sure to win. There is no such opening

            contained in chess; at least none that I know of.

            In the exchanges of games and analysis that appeared in the ACJ in 1876 and 1877, Hallock progressed from referring to “Jerome’s Double Opening” to “Jerome’s Gambit” to “Jerome’s Absurdity.”

[to be continued]